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In one episode of Metalocalypse, Murdering Outside the Box bassist William Murderface purchases a diamond-encrusted codpiece, which is long and sharp enough to kill someone who accidentally fell on it (while another band member also claims to have bought a codpiece, it was, in reality, a vibrating strap-on).

In Babylon 5, G'Kar, played by Andreas Katsulas, sports a codpiece as part of his Ambassadorial garb.

Codepiece italian renaissance movie#

In The Pirate Movie (1982), a rock music version of the Pirates of Penzance, the Pirate King wore an enormous jeweled codpiece for comedic effect.In Jim Henson's movie Labyrinth, the Goblin King (played by David Bowie) sports a large codpiece beneath his riding breeches.The films Batman Forever and Batman & Robin received much publicity over the size of the molded rubber codpieces of the Batman and Robin costumes.In the 1968 novel Do Androids Dream of Electric Sheep?, the Earth is covered in radioactive dust, also known as nuclear fallout, so male characters must wear lead codpieces to avoid becoming sterile.In William Tenn's novella The Masculinist Revolt (1965), the codpiece becomes the symbol for an antifeminist movement.In Anthony Burgess's novel A Clockwork Orange (and later Stanley Kubrick's movie adaptation), Alex and his gang wear codpieces.In film, electronic media and modern literature Cameo's frontman sports a codpiece in his videos "Word Up" and "Candy." Guns N' Roses front man Axl Rose wore a codpiece for most of the Appetite tour. Tom Jones wore codpieces during concerts and the lead singer of 1980s music group Cameo, Larry Blackmon, wore a large, bright-red codpiece in all of his performances, which was his trademark. GWAR front man Oderus Urungus wears a codpiece called The Cuttlefish of Cthulu. Alice Cooper regularly wears bright red codpieces in concert.

Codepiece italian renaissance series#

William Murderface from the cartoon series Metalocalypse also wears a codpiece on several occasions. Oderus Urungus of metal band GWAR wearing a codpiece in a 2004 concertīlack metal musician and Satanist Infernus wore a codpiece as part of his attire during the Ad Majorem Sathanas Gloriam era of Gorgoroth. Metal singer Till Lindemann of Rammstein occasionally wears codpieces on stage. Electric Six lead singer Dick Valentine can be seen wearing a brightly flashing codpiece in the music video for the band's 2003 hit single Danger! High Voltage. Heavy metal singer King Diamond has been known to wear a codpiece as part of his performance outfits. Shock rock performer Blackie Lawless, leader of the group WASP, wore a codpiece that features a saw blade.

Gene Simmons of the American Rock Band Kiss often wore black and silver costumes with codpieces. Ian Anderson, front man for Jethro Tull, wore a codpiece during his performances in the mid-1970s.

The codpiece crossed over from the leather subculture to become an established part of heavy metal fashion performance costume when Rob Halford, of the band Judas Priest, began wearing clothing adopted from the gay biker and leather subculture while promoting the Hell Bent for Leather Album in 1978. Rather than accentuating the male genitalia through exaggeration of the size of the wearer's endowment, attention is drawn through decorative adornment such as metallic studs. Resembling codpieces, jock straps made of leather can be worn in leather subcultural attire to cover and confine the genitals of a man, sometimes while wearing leather chaps. Through the same linguistic route, cods became a modern slang term for the male genitalia. Renaissance humorist François Rabelais jokingly refers to a book titled On the Dignity of Codpieces in the foreword to his book The Histories of Gargantua and Pantagruel. In later periods, the codpiece became an object of the derision showered on outlandish fashions.

A few of these are on display in museums today: the Metropolitan Museum of Art in New York City has one, as does the Higgins Armory in Worcester, Massachusetts the armour of Henry VIII in the Tower of London has a codpiece.

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Armor of the 16th century followed civilian fashion, and for a time armored codpieces were a prominent addition to the best full harnesses. Portrait of Antonio Navagero (1565), oil on canvas, Pinacoteca di Brera, Milan, by Giovanni Battista MoroniĪs time passed, codpieces became shaped and padded to emphasize rather than to conceal, reaching their peak of size and decoration in the 1540s before falling out of use by the 1590s.